Description

Some people still remember Les Chiens de Navarre’s caustic humour with Les armoires normandes (2016) in Montreal and Ottawa. The party continues this year as the troupe tosses us from a political assembly to a psychiatric emergency ward—a delusional trip into humanity’s downward spiral. No one will be left standing by the mirthful rage of this tornado-of-a-show, which knocked down audiences throughout its whirlwind tour across Europe.

Seven untameable performers and their fearless leader, Jean-Christophe Meurisse, are set loose on stage. Before our disbelieving eyes, they unwrap a series of scenic tableaux, half-planned and half-improvised, that are raw, cruel and hilarious all at once. The trivial flirts with tragedy; a banal story of a woman absurdly objectified by plastic surgery is juxtaposed with the horror of discovering that the vending machine in the employee break room is still out of order! The layers of our private and shared lunacy play out against the backdrop of huge windows revealing the inside and outside of an apocalyptic party… that no one was really invited to.

From this ferocious satire, a deep-rooted question emerges like an escapee from Pandora’s box: Is one person’s neurosis just a small symptom of the overwhelming hysteria of our world today? At least, laughter is still the best medicine.

The show is restricted to audiences aged 14 and over.
Content advisory warning ›

Director’s Note — Jean-Christophe Meurisse

« Yes, we suffer because of Mom and Dad (Tout le monde ne peut pas être orphelin), but we also suffer because of the state of the world.

We inevitably absorb violence, crises, political and social contradictions, and the brutal shifts of our civilization. The small madnesses of our time can fuel the greater madness of an individual, and the need for consolation can quickly become impossible to satisfy, as our good old Dagerman would say. Can we all lose our minds? What holds us back? There is nothing more human than madness.

The psychiatric emergency ward is one of the few places that welcomes anyone at any time, regardless of age, gender, or nationality. A deeply tangible place for those who have veered off course. A threshold of humanity. »

About Les chiens de Navarre

Founded in 2005 by Jean-Christophe Meurisse, the French theater company Les Chiens de Navarre is known for its bold and irreverent approach to contemporary theater. Their work, largely based on improvisation, explores social themes with biting humor and boundless energy. Their productions, often structured around zany vignettes, blend brutality, poetry, comedy, and emotion, offering audiences a truly unique theatrical experience.

Notable creations include Une raclette (2009), Quand je pense qu’on va vieillir ensemble (2013), Tout le monde ne peut pas être orphelin (2019), and La vie est une fête (2022). The company receives support from the DRAC Île-de-France and the Île-de-France Region as part of the Permanence Artistique et Culturelle program.

Show Times

Tickets
Tickets
Tickets

Cast

  • Delphine Baril (alternates with Delphine Baril)
  • Lula Hugot
  • Charlotte Laemmel
  • Anthony Paliotti
  • Gaëtan Peau
  • Nicolas Baisin (alternates with Ivandros Serodios)
  • Fred Tousch

Credit

  • Direction Jean-Christophe Meurisse
  • Artistic Collaboration Amélie Philippe
  • Set Design and Construction François Gauthier-Lafaye
  • Stage Management Nicolas Guellier
  • Lighting Design and Management Stéphane Lebaleur
  • Sound Design and Management Pierre Routin
  • Costume Designer and Management Sophie Rossignol
  • Stagehand Anouck Dubuisson
  • Choregraphy Jérémy Braitbart
  • Production Manager Antoine Blesson
  • Production Administrator Jason Abajo
  • Production Coordinator Marianne Mouzet
  • Extras Coordinator Alexandra Pradier-Bayle

  • Production Les Chiens de Navarre
  • Coproduction Les Nuits de Fourvière – Festival international de la Métropole de Lyon ; La Villette – Paris ; MC2 : Maison de la Culture de Grenoble ; Le Volcan scène nationale du Havre ; TAP – Théâtre Auditorium de Poitiers ; Teatros del Canal – Madrid ; Le Quartz scène nationale de Brest ; MC93 – Maison de la Culture de Seine-Saint-Denis ; La Rose des Vents scène nationale de Villeneuve d’Ascq; Scène nationale Carré-Colonnes - Bordeaux Métropole; Les Salins scène nationale de Martigues; Le Manège scène nationale de Maubeuge ; Château Rouge scène conventionnée d’Annemasse ; La Comète scène nationale de Châlons-en-Champagne ; L’Onde Théâtre Centre d’art de Vélizy-Villacoublay
  • With the support of Théâtre des Bouffes du Nord, de la Ferme du Buisson scène nationale de Marne-la-Vallée et de la Maison des Arts de Créteil

  • Chiens de Navarre is supported by the DRAC Île-de-France - Ministère de la Culture and the Région Île-de-France as part of the Permanence Artistique et Culturelle program.

  • The Théâtre français of the National Arts Centre is proud to be the driving force behind bringing Les Chiens de Navarre to Canada and to support the tour of La vie est une fête in Montreal, Quebec City, and Ottawa.

Reviews

« La vie est une fête transgresses and disturbs. Laughter, often present, can sometimes be followed by discomfort. But this irreverence, dear to Les Chiens de Navarre, aims to reflect a brutal and tense society. So, we laugh at tragedy in order not to sink. »

Le Monde

« Les Chiens de Navarre, under the leadership of Jean-Christophe Meurisse, have lost none of their flair. They sense the spirit of the times like no one else. // A great moment of anarchic and absurd humour. // Every society gets the shows it deserves. La vie est une fête avenges us from human stupidity. »

Le Figaro

« A show that tackles the theme of madness with bite and intelligence. »

Madame Figaro

« From the Assembly to the asylum, a wild, political, and cathartic show. For a mature audience. // A show with a cathartic purpose, "not recommended for those under 15" and for anyone uncomfortable with "nudity and strong language." Yay! »

Challenges

« Sensitive souls, move along. The pack keeps digging the groove that made them successful: trashy, scatological humour, willingly provocative but healing. With a strong cathartic effect. »

Elle

« The show [...] cannot be told, it must be experienced.»

Version Fémina

« Between medieval farce and gore cinema, their brutal theatre connects to a whole tradition of sensational performance, where the audience participates viscerally in what they watch. »

Télérama
Public programming partners
Conseil des arts et des lettres du Québec Ville de Québec Conseil des arts du Canada Canada

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