Description

It’s hard to imagine a darker tale than General Macbeth’s bloody descent into hell – he whose lust for power and all-consuming paranoia spawn regicides, betrayals and suicides.

The spirits of murdered rivals come to claim their due. The predictions of ghostly witches come true. The dead and their blood irrevocably stain the hands of the survivors. Ominous signs multiply. Macbeth is an account of terrible fatality, where ambition and brutality ooze from everywhere.

This world finds contemporary echoes in the biker wars of late 20th century Quebec. Castles become countryside motels. Banquets are barbecues where picnic tables are covered with beer and hot dogs. People meet their demise drowned at the bottom of a lake, wearing cement boots, rather than at swordpoint. The Great Birnam Wood is transformed into a field of cannabis. And if you have to flee, it’s by motorcycle or rowboat rather than on horseback or three-masted ship.

One thing remains, however: Shakespeare’s remarkable lucidity as he examines the most primal of human impulses.

SCHEDULE

  • Part 1 : 80 min.
  • Intermission : 20 min.
  • Part 2 : 70 min.

TOTAL : 170 min.

This production presents an abridged version of Michel Garneau’s Quebec French translation. The complete translation is published and available from Éditions Somme Toute.

Audience Notice: This production includes pyrotechnics, e-cigarettes and gunshot sounds.

Show Times

Ended
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Miniature de la vidéo : Trailer of Macbeth

Cast

  • Alexandre Goyette — Macbeth
  • Violette Chauveau — Lady Macbeth
  • Reda Guerinik — Banquo
  • David Boutin — MacDuff
  • Mathieu Quesnel — Ross
  • Gabriel Simard — Lennox
  • Guillaume Laurin — Malcolm
  • Dominique Quesnel — Porter
  • Richard Fréchette — Duncan / Siward
  • Fabrice Yvanoff Sénat — Witch 1
  • Philippe Racine — Witch 2 / Detective
  • Olivier Normand — Witch 3 / Paramedic
  • Rodley Pitt — Seyton
  • Marco Poulin — Murderer
  • Ismael Simard — Fleance

Credit

  • Designed and Directed by Robert Lepage
  • By William Shakespeare
  • Translated into Quebec French by Michel Garneau
  • Creative Director Steve Blanchet
  • Assistant Director Félix Dagenais
  • Set and Props Designer Ariane Sauvé
  • Costume Designer Michael Gianfrancesco
  • Costume Assistant Pierre-Guy Lapointe
  • Wigs and Hair Design Denis Parent
  • Makeup Audrey Toulouse
  • Lighting Designer Kimberly Purtell
  • Composer and Sound Designer John Gzowski
  • Fight Choreography Olivier Lunardi
  • Motorcycle Choreography Olivier Normand

  • PRODUCTION TEAM
  • Technical Director Olivier Bourque
  • Production Manager Nadia Bellefeuille
  • Tour Manager Carole-Anne Roberge
  • Stage Manager Adèle Saint-Amand
  • Head Stagehand Jean-Félix Labrie
  • Head of Automation and Video Nicolas Dostie
  • Lighting Operator Nicolas Boudreau
  • Sound Operator Samuel Sérandour
  • Props Master Chloé Blanchet
  • Costumes Manager​ Virginie Leclerc
  • Producer - Ex Machina Michel Bernatchez

  • A production of the Stratford Festival in collaboration with Ex Machina
  • Co-production of the French version by Théâtre du Nouveau Monde, Ex Machina, Théâtre français de Centre national des Arts and Le Diamant.

  • This production presents an abridged version of Michel Garneau’s Quebec French translation. The complete translation is published and available from Éditions Somme Toute.

Reviews

« Lepage is a master of illusion. […] The true star of this production is the language. […] Performers of remarkable talent, who inhabit the text with absolutely gripping intensity. […] Violette Chauveau is magnetic. […] The cast is impeccable. […] Lepage knows how to tell a story. »

Karyne Lefebvre, Pénélope, ICI Première

« Robert Lepage delivers a feast for the eyes. (…) It is strikingly cinematic. (…) Visually, it is well worth seeing. »

Claudia Hébert, Tout un matin, ICI Première

« A standing ovation for a spectacular scenography and one of the most original interpretations. »

BP Arts Média

« Violette Chauveau brings to her Lady Macbeth an irresistible conviction and a sensitivity rarely afforded to the character. »

Le Devoir

« A technically awe-inspiring production so close to cinematic spectacle that you can’t help but leave renewed in your belief in the visceral magic and the endless potential of well-produced theatre. » (Stratford Festival 2025)

Next Magazine

« Lepage’s vision goes beyond the biker setting and ‘90’s grunge-rock style music… There are effects used in this play that are so spectacular and so clever, that audiences will be thinking about them long after the curtain call. » (Stratford Festival 2025)

Broadway World

« While the special effects were astounding – a body sinking to its watery grave and a ghostly, angelic female figure floating away, but two of many – the seedy motel that provided a home base to Macbeth… was a revelation in its adaptability, garnering applause for creativity. » (Stratford Festival 2025)

My Stratford Now
A presentation of
Beneva
Public Partners
Conseil des arts et des lettres du Québec Ville de Québec Conseil des arts du Canada Canada

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