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Description

Invited by Le Diamant to develop a new large-scale musical theatre project, following in the footsteps of their previous works Joue à Tom Waits and Kitchen Chicken, Quebec City’s L’Orchestre d’hommes-orchestres unveils the world premiere of La mémoire de ma mère at Le Diamant.

In a fragmented room, memories come to light and take shape. Familiar objects become the triggers of an exuberant ceremony. Voices sing of what disappears, what remains, and what resists. The call of the red-headed woodpecker, the shores of the St. Lawrence, love stories, a mother’s memory, vernacular architecture, jangling coins, road maps, silence—how do we stand in the face of their inevitable fading?

Blending music and performance, La mémoire de ma mère is a shifting space where the personal touches the collective, where ghosts show up unannounced, where we celebrate, long, regret, and begin again. The performers play with traces of the past as one might invent a ritual—nostalgic and festive all at once.

As always, music is at the heart of it all. Much like memory—layered, preserved, interwoven with both logical and serendipitous connections—this new creation explores a wildly eclectic repertoire. With their signature flair, L’Orchestre d’hommes-orchestres stitches together a patchwork theatre of impulses, embracing our inheritances full-heartedly and toasting what’s to come.

ABOUT L’ORCHESTRE D’HOMMES-ORCHESTRES
L’Orchestre d’hommes-orchestres is a collective of unruly artist-musicians founded in Quebec City in 2002. Impossible to pin down, straddling the edges of multiple artistic disciplines, L’ODHO defines itself as a permanent construction site for the live arts. With some fifteen productions for stage and public space under its belt—including Joue à Tom Waits, Cabaret brise-jour, Tintamarre caravane, Les Palais, and Kitchen Chicken—the group has performed in over 90 cities across some twenty countries in Europe, the Americas, and Oceania. Handpicked by Robert Lepage to receive the Glenn Gould Foundation’s Toronto City Protégé Prize in 2013, L’ODHO also received the Ville de Québec Prize in 2015.

Le Diamant presented Joue à Tom Waits in 2022.

Show Times

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Cast

  • Bruno Bouchard
  • Jasmin Cloutier
  • Simon Elmaleh
  • Benoit Fortier
  • Philippe Lessard-Drolet
  • Danya Ortmann

Credit

  • Concept L’orchestre d’hommes-orchestres and guest performers
  • Permission Accomplice Laurence Brunelle-Côté
  • Sound Design L’orchestre d’hommes-orchestres and Frédéric Auger
  • Texts and Music by Charles Aznavour, Henri Bauchau, Bertolt Brecht, John Benson Brooks, Irving Berlin, Laurence Brunelle-Côté, Peter Cornelius, Harold Courlander, John Dryden, Hanns Eisler, Ahmet Ertegun, Christopher Fishburn, Louise Fortin, Porter Grainger, Butch Hawes, Screamin’ Jay Hawkins, Caspar Henderson, Chris Isaak, Nehemia “Skip” James, Sylvie Laliberté, Félix Leclerc, Nadine Lizotte, Betty Nelson, Elthea Peale, Pierre Perrault, Henry Purcell, Jean-Baptiste Rameau, Everett Robbins, Marcel Stellman, Myriam Suchet, Anne Sylvestre, traditional Georgian, Élise Turcotte, Tom Waits, and L’orchestre d’hommes-orchestres
  • Arrangements L’orchestre d’hommes-orchestres
  • Lighting Design Philippe Lessard-Drolet
  • Lighting Operator Laurie Foster
  • Assistant Director Jeanne Théberge

  • Special thanks to Twigg Musique
  • This project is made possible thanks to the support of Canada Council for the Arts, Conseil des arts et des lettres du Québec, and Entente de développement culturel entre le gouvernement du Québec et la Ville de Québec.

Reviews

« In the organized chaos that reigns on stage, instruments mingle with furniture and everyday objects that will also be used to make music. The bang of a drawer closing, a letter being crumpled, a handful of loose change, the bristles of a broom scratching the floor — all unexpected ways to bring out melody and emotion. »

Le Soleil

« The six performer-musicians alternate between classical instruments and found sounds, apparent improvisation and meticulous organization. It’s a finely tuned mechanism beneath the surface chaos — improvisation within something highly structured, where every movement matters. »

Le Carrefour de Québec

« What I love about this piece is that it’s impossible to put them into a specific category — and that’s exactly what we love. It’s unexpected and surprising. »

Première heure, Ici Première

« A quintessential piece of musical theatre, the production is driven by performance. Sounds and songs awaken memories—just like in real life. »

monvieuxquebec.com
Show Partners
Conseil des arts du Canada Conseil des arts et des lettres du Québec Entente de développement culturel - Ville de Québec
Public Partners
Conseil des arts et des lettres du Québec Ville de Québec Conseil des arts du Canada Canada