Description

Body can you become hypothetical, a galaxy, in full gear acceleration, a liquid star monster, failing to die?

In DARKMATTER, Cherish Menzo and her onstage partner Camilo Mejía Cortés look for ways to detach their bodies from the way they are perceived and the daily reality in which they move. Among other things, they look up to the sky, at dark matter and at black holes that meet and collide to give birth to a new, (afro)futuristic and enigmatic body.

DARKMATTER wants to get rid of the biased way of looking at one’s own body, at that of the other, and at the stories we attribute to them. Together, they throw their bodies into a complex conversation that they want to both enter into and transcend – a duality that feeds the performance.

Just as in her previous project, JEZEBEL, Menzo stretches her movement language further by applying the Chopped and Screwed method to her movement language. A remix technique from hip-hop music in which the tempo is sharply reduced. By stretching the notions of time, the register changes and the performing body manages to generate new readings. DARKMATTER wants to create a thorough reshuffle of our atoms, looking for a new form for – and way of looking at – our body and the complex outside world to which it relates.

AUDIENCE ADVISORY
This performance contains strobe effects as well as three extended blackouts. The soundscape may be perceived as particularly intense; earplugs are available from staff. Please also note that there is nudity on stage.

ABOUT CHERISH MENZO

Cherish Menzo is a Dutch choreographer and performer recognized for her radical, physical, and socially engaged artistic approach. Trained at Amsterdam’s Urban Contemporary (JMD) School of Arts, she has made her mark by collaborating with major figures of the contemporary scene, including Akram Khan, Eszter Salamon, Lisbeth Gruwez, Jan Martens, and Olivier Dubois.

For several years, she has been creating her own works, blending dance, performance, and music through a resolutely experimental lens. Her piece JEZEBEL (2019), inspired by the hip-hop video vixens of the 1990s, won both the Amsterdam Fringe Award and the International Bursary Award. It was also nominated for the BNG Bank Theaterprijs, and featured at Nederlandse Dansdagen as well as at the Theater Festival in Belgium and the Netherlands.

Her creation DARKMATTER (2022), a duet with Camilo Mejía Cortés, continues her exploration of black bodies and their representations, through a striking aesthetic where beauty, strangeness, and sound distortion intersect.

Cherish Menzo conceives each work as an open-ended process of research in motion. Her practice challenges perception, identity, and norms by deconstructing familiar images. Today, she is recognized as one of the most distinctive and powerful voices in European contemporary dance.

PRIZES, NOMINATIONS AND SELECTIONS

  • Winner – BNG Bank Theater Prize (2023)

  • Winner – Dutch Drama Jury prize for Best Direction (Nederlandse Dansdagen) Maastricht (2023)

  • Selected – Theater Festival The Netherlands (2023)

  • Selected – Theater Festival Belgium (2023)

  • Nominated – VSCD Mime/Performance award (Nederlandse Dansdagen) Maastricht (2023)

  • Nominated – VSCD Swan Award Most Impressive Performance (Nederlandse Dansdagen) Maastricht (2023)

  • Nomination – Flemish Actors Guild Theatre Award 2023 (Under 35 category)

Show Times

Tickets
Tickets

Cast

  • Camilo Mejía Cortés
  • Cherish Menzo

Credit

  • Concept and Choreography Cherish Menzo
  • Creation Camilo Mejía Cortés, Cherish Menzo
  • Lighting Design Niels Runderkamp
  • Musical Composition Gagi Petrovic, Michael Nunes
  • Mastering Gagi Petrovic
  • Music List www.grip.house or www.frascatitheater.nl
  • Scenography Morgana Machado Marques
  • Costume Design JustTatty.com
  • Dramaturgy Renée Copraij, Benjamin Kahn
  • Text Cherish Menzo, Camilo Mejía Cortés, BOИSU, Shari Kok-Sey-Tjong
  • Vocal and Delivery Coaching BOИSU, Shari Kok-Sey-Tjong
  • Artistic Advice Christian Yav, Nicole Geertruida
  • Voices www.distortedrapchoir.com
  • Technicians Niels Runderkamp, Amber Stallenberg / Sander Cools
  • With references to and inspired by
  • Act I of the American opera Troubled Island by William Grant Still (1949)
  • Blackspace: On the Poetics of an Afrofuture by Anaïs Duplan
  • The Mask by Paul Laurens Dunbar
  • Video clip Throw It Back (2019) by Missy Elliot
  • The mythology of the American electronic music duo Drexciya
  • Production GRIP, Frascati Producties (Anneleen Hermans, Eryn Kelly, Sam Loncke, Rudi Meulemans, Lize Meynaerts, Klaartje Oerlemans, Jennifer Piasecki, Charlotte Roosblad, Dominique Sikkema, Sylvie Svanberg, Mark Timmer, Ruud Van Moorleghem, Heske van den Ende, Petra van der Meulen, Pauline Van Nuffel, Nele Verreyken)
  • International Distribution A Propic - Line Rousseau, Marion Gauvent
  • Coproduction Kunstenfestivaldesarts (Bruxelles, BE), CCN – Ballet national de Marseille dans le cadre de l’accueil studio / Ministère de la Culture (FR), Festival Actoral (Marseille, FR), STUK (Louvain, BE), La Villette (Paris, FR), Festival d’Automne à Paris (FR), Beursschouwburg (Bruxelles, BE), De Coproducers (NL), Perpodium (BE)
  • Residencies STUK (Louvain, BE), La Villette (Paris, FR), Frascati (Amsterdam, NL), Beursschouwburg (Bruxelles, BE), CCN – Ballet national de Marseille dans le cadre de l’accueil studio / Ministère de la Culture (FR), Productiehuis Theater Rotterdam (NL)
  • In Collaboration with Trill (Louvain, BE), WijzijnDOX (Utrecht, NL)
  • With the financial support of the Flemish Government, the Performing Arts Fund NL, Ammodo, Tax Shelter of the Belgian Federal Government, Cronos Invest
  • Thanks to Eric Cyuzuzo, Jan Fedinger, Dries Douibi, Khadija El Kharraz Alami

Reviews

★★★★ « The performance Darkmatter gives an exciting and alienating charge to 'dark matter.' Together with dancer Camilo Mejía Cortés, choreographer Cherish Menzo crawls deep under the shiny surface of black skin. »

De Volkskrant

★★★★ « Whether staggering on their stiletto latex boots or slipping naked through black paint, the duo surprises with powerful images after each blackout. Thanks to the bold lighting design, the chilling soundtrack and the haunting rap songs that Menzo and Cortés spit out live, Darkmatter is not only a fascinating descent into the heart of the darkness that lurks within us all, but also a poetic critique of representation that celebrates the richness of being black. »

De Standaard

« Cherish Menzo and Camilo Mejia Cortés are impressive from start to finish, with their presence, their gestures, their gaze, their way of occupying the stage and their mastery of the flow when the poetic rap makes its entrance. […] [DARKMATTER] starts intriguing before becoming utterly captivating and has us on the edge of our seats by the end. »

Le Soir

« Dancer and choreographer Cherish Menzo, together with Camilo Mejia Cortès, fights against the invisible boundaries that restrict the (black) body. The hip-hop culture of the 90s and the fantastical images of Afrofuturism are her tools. »

De Standaard

« This piece makes you curious to see and know everything about Cherish Menzo, who imposes a presence on the stage that borders on that of a video game. She blurs the lines and makes our eyes bug out. »

Toute la culture

« […] a punky performance, a trip full of mystery and symbolism. Dark in its consequence, with light at the end of the tunnel. »

Theaterkrant
In co-presentation with
Mois Multi par Recto Verso La Rotonde, rencontrer l'art chorégraphique
Public Partners
Conseil des arts et des lettres du Québec Ville de Québec Conseil des arts du Canada Canada

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