Program Ended

Description

Vernon Subutex 1 alternates between a sociological fresco, a detective thriller, and an inhumane “vaudeville.” It’s a work that destabilizes, fascinates, and disturbs to the utmost degree. Published in 2015, the first part of this cult trilogy by Virginie Despentes tells the story of a record-store owner and his state of decline as he is put out of business by the digital revolution and the crisis in the music industry. His friend Alex Bleach, a rock musician, dies from an overdose and leaves him some recordings as an inheritance. They become the focus of a thriller where vultures and humans weakened by unrelenting market concerns are brought together and where they are driven to the edge of a precipice by the death of close friends and disastrous lovers.

At the book’s centre is an anti-hero with an enigmatic name: Vernon Subutex, an incredibly talented DJ unfit for living in his era. He ends up itinerant and then later turns out to be the redeemer of a society in search of meaning in a world that’s become inhabitable.

Recipient of the Prix de la meilleure mise en scène 2022 awarded by the Association québécoise des critiques de théâtre (AQCT).

The full version of Vernon Subutex 1+2+3 is presented at Le Diamant on October 5.

 

About Angela Konrad

An artist presented many times at Usine C and founder of the company LA FABRIK, Angela Konrad skillfully tackles strong classic and contemporary texts with an activist bent in order to highlight their relevancy and their often controversial qualities. After her adaptations of Chekhov, Shakespeare and Rodrigo Garcia and her investigations of transhumanism and anti-capitalism, she has now taken on French author Virginie Despentes’s cult book Vernon Subutex by adapting it into a theatrical trilogy.

About Virginie Despentes

A socially engaged French writer with an uncontrollable style, Virginie Despentes is the author of works including Pretty Things (1998), Teen Spirit (2002), Bye Bye Blondie (2004, adapted to film by the author), King Kong Theory (2006), and Apocalypse Baby (2010, Prix Renaudot).

 

Show Times

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Cast

  • Paul Ahmarani
  • David Boutin
  • Anne-Marie Cadieux
  • Violette Chauveau
  • Samuël Côté
  • Philippe Cousineau
  • Blanche-Alice Plante
  • Dominique Quesnel
  • Mounia Zahzam

Credit

  • Text Virginie Despentes
  • Concept, Adaptation, Set Design and Direction Angela Konrad
  • Assistant Director, Dramaturge and Musical Advisor William Durbau
  • With the collaboration of Fayolle Jean Jr
  • Stage and Production Manager Jacinthe Nepveu
  • Set and Properties Design (Volume 1) and Technical Direction Louis-Charles Lusignan
  • Costumes Marie-Audrey Jacques
  • Video Design Alexandre Desjardins
  • Video design assistants / 3D artists Charly Barrera, Maxime Karam (Volume 1)
  • Lighting Cédric Delorme-Bouchard, assisted by Tristan Olivier Breiding
  • Sound Design Simon Gauthier
  • Makeup Design Florence Cornet
  • Hair and Wigs Angelo Barsetti
  • Sound Assistant Jules Potier
  • Dresser Vicky Wolf-Dumont
  • Cutter Paul Rose
  • B/W Photographs Louise Marois from the series Pour rien au monde, Paris 2021
  • Administrative Director Kevin Bergeron - Agence Roger Roger
  • Coproduction LA FABRIK and USINE C
  • Creation Residency Usine C
  • With the support of Conseil des Arts de Montréal, Conseil des Arts et Lettres du Québec, TransQuébec
  • Sponsors George Laoun, Élément de Base (edb)
  • Acknowledgements 4éléments, USINE C team, Olivier Do-Duc, J.A.

  • Special, heartfelt thanks to Robert Lepage for his solidarity and support.

Reviews

« The achievements of the nine performers constitute a true tour de force. The constant costume and wig changes are a formidable challenge in themselves. In the lead role — often a foil to the more colorful protagonists — David Boutin demonstrates the perfect measure of humility. His Vernon is both repulsive and charming, utterly mediocre yet charismatic. Surrounding him, Paul Ahmarani, Samuël Côté, Philippe Cousineau, Blanche-Alice Plante, and Mounia Zahzam display outstanding versatility. But the real stars of this long-running show are Anne-Marie Cadieux, Violette Chauveau, and Dominique Quesnel, three exceptional actresses at the absolute peak of their craft. »

Le Devoir

« Cleverly staged, taking advantage of the stage’s full width, meticulously timing entrances and exits, and occasionally breaking the fourth wall, the direction situates this sublime and grotesque human comedy in an imagined space reminiscent of a cabaret. »

Le Devoir

« At any rate, this first volume is a resounding triumph. It will delight anyone eager to experience a story that is simultaneously original, complex, and intimately connected to everyday life, told in Despentes’ thunderous, electric language — a turbulent epic that stands as her masterpiece. »

Revue JEU
Public Partners
Conseil des arts et des lettres du Québec Ville de Québec Conseil des arts du Canada Canada