{"id":7285,"date":"2023-11-21T18:12:54","date_gmt":"2023-11-21T22:12:54","guid":{"rendered":"https:\/\/www.lediamant.ca\/?p=7285"},"modified":"2026-07-29T15:10:39","modified_gmt":"2026-07-29T19:10:39","slug":"heritage-du-projet-riopelle","status":"publish","type":"post","link":"https:\/\/www.lediamant.ca\/fr\/heritage-du-projet-riopelle","title":{"rendered":"L\u2019h\u00e9ritage du Projet Riopelle"},"content":{"rendered":"
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Bient\u00f4t, Le Diamant s\u2019appr\u00eate \u00e0 dire au revoir au Projet Riopelle<\/a><\/em>. Cet article propose un retour sur l\u2019importance du mouvement automatiste dans l\u2019histoire du Qu\u00e9bec. Cette p\u00e9riode importante marque la premi\u00e8re partie de la pi\u00e8ce. D\u00e9couvrez aussi les impressions de quelques membres de la distribution.<\/p>\n<\/div>\n\n

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La cr\u00e9ation du mouvement automatiste<\/h2>\n<\/div>\n\n
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Montr\u00e9al, pendant les ann\u00e9es\u00a01940, la soci\u00e9t\u00e9 qu\u00e9b\u00e9coise est dirig\u00e9e et immobilis\u00e9e par le catholicisme et ses valeurs conservatrices. Contrari\u00e9 et tourment\u00e9 par ce conservatisme social, Paul-\u00c9mile Borduas, enseignant \u00e0 l\u2019\u00c9cole du Meuble de Montr\u00e9al, partage avec quelques-uns de ses \u00e9tudiants les \u00e9crits d\u2019Andr\u00e9 Breton, un po\u00e8te et \u00e9crivain fran\u00e7ais qui a publi\u00e9, en 1924, le Manifeste du surr\u00e9alisme<\/em>. L\u2019id\u00e9e de ce mouvement est de s’exprimer librement sans censure. Cette libert\u00e9 s’applique \u00e0 l\u2019\u00e9criture, au dessin ou de toute autre mani\u00e8re. Borduas s\u2019inspire des fondements du surr\u00e9alisme pour sa d\u00e9marche artistique. Il partage ses id\u00e9ologies et son approche intuitive exp\u00e9rimentale \u00e0 une jeunesse enthousiaste. Ensemble, ils cr\u00e9ent le manifeste le Refus global<\/a><\/em>. Ce texte collectif est lanc\u00e9 au Qu\u00e9bec en 1948.<\/p>\n<\/div>\n\n

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Les signataires du Refus global<\/h2>\n<\/div>\n\n
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Archives Maurice Perron – Exposition des automatistes en 1947<\/figcaption><\/figure>\n<\/div>\n\n
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Seize artistes ont sign\u00e9 le Refus global<\/em> pour affirmer leurs revendications : Paul-\u00c9mile\u00a0Borduas, Madeleine\u00a0Arbour, Marcel\u00a0Barbeau, Bruno\u00a0Cormier, Claude\u00a0Gauvreau, Pierre\u00a0Gauvreau, Muriel\u00a0Guilbault, Marcelle\u00a0Ferron-Hamelin, Fernand\u00a0Leduc, Th\u00e9r\u00e8se\u00a0Leduc, Jean-Paul\u00a0Mousseau, Maurice\u00a0Perron, Louise\u00a0Renaud, Fran\u00e7oise\u00a0Riopelle, Jean\u00a0Paul\u00a0Riopelle, Fran\u00e7oise\u00a0Sullivan.\u00a0<\/p>\n<\/div>\n\n

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\"Marcelle
Photo \u2014 Richard-Max Tremblay (1988)<\/figcaption><\/figure>\n<\/div>\n\n
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Marcelle Ferron<\/h4>\n<\/div>\n\n
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\u00ab\u2009On nous consid\u00e9rait \u00e0 l’\u00e9poque comme des r\u00e9volutionnaires alors que nous \u00e9tions seulement \u00e0 l\u2019heure. On a os\u00e9 \u00eatre nous-m\u00eames et on s\u2019est retrouv\u00e9s \u00e0 l\u2019avant-garde1<\/sup>.\u2009\u00bb<\/p>\n<\/div><\/div>\n\n\n\n

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\"Fernand
Photo \u2014 Photo Richard-Max Tremblay (1987)<\/figcaption><\/figure>\n<\/div>\n\n
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Fernand Leduc<\/h4>\n<\/div>\n\n
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\u00ab\u2009L\u2019acte de cr\u00e9ativit\u00e9 nous r\u00e9v\u00e9la la libert\u00e9 fondamentale2<\/sup>.\u2009\u00bb<\/p>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n

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Ces artistes, incluant Jean Paul Riopelle, sont de v\u00e9ritables pionniers. Leurs \u0153uvres refl\u00e8tent une qu\u00eate profonde de libert\u00e9. Ils ont pos\u00e9 un geste fort pour offrir une nouvelle identit\u00e9 au Qu\u00e9bec.<\/p>\n<\/div>\n\n

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L’h\u00e9ritage des Automatistes selon\u2026<\/h2>\n<\/div>\n\n
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Des membres de la distribution partagent leurs impressions au sujet du mouvement automatiste et son h\u00e9ritage dans l’histoire du Qu\u00e9bec.<\/p>\n<\/div>\n\n

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<\/div>\n<\/div><\/div>\n\n
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\"Etienne<\/figure>
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\u00ab\u2009Je suis admiratif des Automatistes qui ont rompu avec les habitudes de la soci\u00e9t\u00e9 pour se lib\u00e9rer des pens\u00e9es collectives qui les emp\u00eachaient de cr\u00e9er librement. En sortant de l’\u00c9glise, ils se sont expos\u00e9s au vide. Ces gens courageux ont ouvert la porte pour l\u2019avenir et ils ont pay\u00e9 le prix.\u2009\u00bb<\/p>\n<\/div>\u00c9tienne Lou<\/strong>
Com\u00e9dien<\/cite><\/blockquote>\n<\/div><\/div><\/div>\n<\/div>\n\n

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<\/div>\n<\/div><\/div>\n\n
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\"Richard<\/figure>
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\u00ab\u2009La premi\u00e8re partie du spectacle est tr\u00e8s importante pour que l\u2019on constate d\u2019o\u00f9 l\u2019on vient. C\u2019est gr\u00e2ce au mouvement automatiste que le Qu\u00e9bec s\u2019est inscrit dans la modernit\u00e9 mondiale. Le discours du Refus global<\/em> \u00e9voqu\u00e9 dans Le Projet Riopelle est encore d\u2019actualit\u00e9.\u2009\u00bb<\/p>\n<\/div>Richard Fr\u00e9chette<\/strong>
Com\u00e9dien<\/cite><\/blockquote>\n<\/div><\/div><\/div>\n<\/div>\n\n

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<\/div>\n<\/div><\/div>\n\n
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\"Audr\u00e9e<\/figure>
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\u00ab\u2009Pour moi, \u00e7a a toujours \u00e9t\u00e9 un moteur de cr\u00e9ation d\u2019aller puiser dans la vie des femmes fortes d’autrefois pour les remettre \u00e0 l\u2019avant-sc\u00e8ne. Ainsi, c\u2019\u00e9tait un privil\u00e8ge pour moi de jouer Marcelle Ferron, la seule femme qui a sign\u00e9 le Refus global<\/em> en conservant son nom de naissance et non, son nom d\u2019\u00e9pouse. C\u2019est dans l\u2019art que je vais chercher les legs et les valeurs que je veux poursuivre et honorer.\u2009\u00bb<\/p>\n<\/div>Audr\u00e9e Southi\u00e8re<\/strong>
Com\u00e9dienne<\/cite><\/blockquote>\n<\/div><\/div><\/div>\n<\/div>\n\n

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<\/div>\n<\/div><\/div>\n\n
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Ex Machina et Robert Lepage pr\u00e9sentent trois \u00e9poques de la vie de Jean Paul Riopelle. Ils mettent aussi en lumi\u00e8re des artistes qui l\u2019ont entour\u00e9 et qui ont l\u00e9gu\u00e9 un grand h\u00e9ritage au Qu\u00e9bec. Tout comme les gens qui ont particip\u00e9 de pr\u00e8s ou de loin \u00e0 la r\u00e9alisation du Projet\u00a0Riopelle<\/em>, nous esp\u00e9rons que la pi\u00e8ce aura laiss\u00e9 empreinte marquante dans la m\u00e9moire des 18\u00a0000 personnes qui sont venues la voir au Diamant.<\/p>\n<\/div>\n\n

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1 – Correspondance de Marcelle Ferron avec Jacques, Madeleine, Paul et Th\u00e9r\u00e8se Ferron, Le droit d’\u00eatre rebelle<\/em>, Les \u00c9ditions du Bor\u00e9al, Montr\u00e9al, 2016.<\/sub>
2 – Fernand LEDUC, Refus Global<\/em>. Manifeste surrationnel comme voie de lib\u00e9ration, f\u00e9vrier 1998. Fernand Leduc a \u00e9crit ce texte \u2013 jamais publi\u00e9 \u2013 alors qu\u2019il avait \u00e9t\u00e9 sollicit\u00e9 par lettre en f\u00e9vrier 1998 \u00e0 participer \u00e0 la publication d\u2019un num\u00e9ro de L\u2019Action Nationale soulignant le 50e anniversaire de la publication du Refus Global<\/em>.<\/sub><\/p>\n<\/div>\n\n

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<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"Dans cet article, retrouvez un court retour sur l’importance du mouvement automatiste dans l’histoire du Qu\u00e9bec, une p\u00e9riode abord\u00e9e dans la premi\u00e8re partie de la pi\u00e8ce et les impressions de quelques membres de la distribution.","protected":false},"author":2,"featured_media":7310,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":"[]"},"categories":[50],"tags":[],"class_list":["post-7285","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-article"],"acf":[],"yoast_head":"\nL\u2019h\u00e9ritage du Projet Riopelle - Le Diamant<\/title>\n<meta name=\"description\" content=\"D\u00e9couvrez l'h\u00e9ritage du spectacle Projet Riopelle pr\u00e9sent\u00e9 au Diamant, et l'impact du mouvement automatiste au Qu\u00e9bec.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.lediamant.ca\/fr\/heritage-du-projet-riopelle\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"L'h\u00e9ritage du Projet Riopelle | Le Diamant\" \/>\n<meta property=\"og:description\" content=\"Dans cet article, retrouvez un court retour sur l'importance du mouvement automatiste dans l'histoire du Qu\u00e9bec.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.lediamant.ca\/fr\/heritage-du-projet-riopelle\" \/>\n<meta property=\"og:site_name\" content=\"Le Diamant\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/lediamantqc\/\" \/>\n<meta property=\"article:published_time\" content=\"2023-11-21T22:12:54+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-07-29T19:10:39+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.lediamant.ca\/wp-content\/uploads\/2023\/11\/Riopelle-heritage-opengraph.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"630\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Le Diamant\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@lediamant_qc\" \/>\n<meta name=\"twitter:site\" content=\"@lediamant_qc\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Le Diamant\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.lediamant.ca\\\/fr\\\/heritage-du-projet-riopelle#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.lediamant.ca\\\/fr\\\/heritage-du-projet-riopelle\"},\"author\":{\"name\":\"Le Diamant\",\"@id\":\"https:\\\/\\\/www.lediamant.ca\\\/fr\\\/#\\\/schema\\\/person\\\/1df7cc9f6c6e5901ce19062096c025af\"},\"headline\":\"L\u2019h\u00e9ritage du Projet Riopelle\",\"datePublished\":\"2023-11-21T22:12:54+00:00\",\"dateModified\":\"2026-07-29T19:10:39+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.lediamant.ca\\\/fr\\\/heritage-du-projet-riopelle\"},\"wordCount\":758,\"publisher\":{\"@id\":\"https:\\\/\\\/www.lediamant.ca\\\/fr\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.lediamant.ca\\\/fr\\\/heritage-du-projet-riopelle#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.lediamant.ca\\\/wp-content\\\/uploads\\\/2023\\\/11\\\/Riopelle-Danny-Taillon-Header-Article.jpg\",\"articleSection\":[\"Article\"],\"inLanguage\":\"fr-FR\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.lediamant.ca\\\/fr\\\/heritage-du-projet-riopelle\",\"url\":\"https:\\\/\\\/www.lediamant.ca\\\/fr\\\/heritage-du-projet-riopelle\",\"name\":\"L\u2019h\u00e9ritage du Projet Riopelle - 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